I can kind of almost maybe see past it with the lower priced one but we need a reality check here about the Z7.
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Or, of course, it is neither of those things and they are playing the segmentation game with a camera but with a camera that costs exactly the same price as its mirrored equivalent. Now, either Nikon have decided all of a sudden the ergonomics they have in their high end cameras aren't as good (clue - they are far, far better) or that a different set of ergonomics are needed for mirrorless (clue - they aren't its still just a camera without a mirror). These are choices they've made rather than had forced upon them. Those choices have got absolutely zero to do with the reduced body size either as the multi selector dial on a D850 is exactly the same size as the PASM dial on a D3400 and ditto the buttons as well where they've chosen to give priority to an FPS button for example over having the image lock button. There aren't any compared to Nikon's other higher end cameras such as the identically priced D850 that the Z7 is offering the alternative to.Īs I have posted about this in the other thread about the camera and as much as the specs are - as anticipated - very compelling the fact remains that Nikon have made some odd choices here. Someone care to actually point them out rather than just repeat the mantra 'and much better ergonomics' as an assumed throw away comment? I really fail to see where the drastically improved ergonomics are in these cameras. I saw it in some other DSLR before (Nikon), and had a strange jerky effect.ĭoes anybody know why the bodies are made of? The stabilization may not be very satisfactory, and the electronic stabilization seems suspicious.
#Can lightroom 6 download nikon z6 video 4k full
Nice to see they have provided full 4:2:2 10-bit HDMI output compared to Sony with only 4:2:2 8-bit so it is broadcast friendly.ĥ-axis image stabilisation will aid in handheld shooting and Nikon has designed the Z-mount lenses with video in mind with minimal focus breathing and quiet AF performance.īoth cameras only feature a single XQD card slot & 3.5mm microphone input." A new N-Log colour profile is available for capturing high dynamic range for flexibility in post. "The cameras can shoot Full frame without cropping the sensor at 4K UHD up to 30 fps and Full HD up to 120 fps. I don't know, but there appear to be a lot of hiccups with these, most of which people are still discovering. If you can survive on 24 Megapixels for stills, the Z 6 could prove to be the better of the two cameras in terms of video quality." " The lower resolution sensor allows the Z 6 to capture oversampled 4K video, something that the Z 7 can only do in Super 35/DX-crop mode. This and the addition of timecode suggests Nikon is taking video pretty seriously."
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This higher bit depth greatly increases the processing flexibility of Log footage and is a feature matched only by Panasonic's GH5 models.
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Perhaps the biggest news for committed videographers is the camera's 10-bit 4:2:2 'N-Log' output over HDMI. In video mode, the Z 7's in-body VR system is augmented by electronic VR, to help further smooth out vibration in hand-held footage. As well as 4K, HD video capture is also an option, at up to 120fps. Unlike the D850, the Z 7 can offer focus peaking in 4K mode we're hopeful that this can be used at the same time as highlight warnings, but we were unable to test this on our pre-production loaner. The 'FX' mode footage is produced by line-skipping, so will have a resolution and noise cost. " Full-width 4K video is possible at up to 30p, and in the DX crop mode (roughly equivalent to Super 35mm in filmmaking terms) full-pixel readout should offer optimal 4K quality.